ENRIQUE MARTINEZ CELAYA
BIOGRAPHY
Born 1964 in Cuba
Lives and works in Miami, FL
EDUCATION
1994
Skowhegan School of Painting and Sculpture, Skowhegan, Maine
MFA, Painting, University of California, Santa Barbara, California
1988
MS, Quantum Electronics, University of California, Berkeley, California
1986
BS, Applied & Engineering Physics, Cornell University, Ithaca, New York
SELECTED SOLO EXHIBITIONS
2015
LA Louver, Venice, California
Jack Shainman Gallery, New York, New York
2014
Place, Fredric Snitzer Gallery, Miami, FL
Hood Art Museum, Dartmouth College, Hanover, New Hampshire
Galleri Andersson/Sandström, Umeå, Sweden
Parafin, London, United Kingdom
2013
Strandverket Konsthall, Marstrand, Sweden
SITE Santa Fe, Santa Fe, NewMexico
James Kelly Contemporary, Santa Fe, New Mexico
2012
The State Hermitage Museum, St. Petersburg, Russia
LA Louver, Venice, California
Galleri Andersson/Sandström, Stockholm, Sweden
Galeria Joan Prats, Barcelona, Spain
2011
Miami Art Museum, Miami, Florida
LA Louver Gallery, Venice, California
Liverpool Street Gallery, Sydney, Australia
2010
Simon Lee Gallery, London, United Kingdom
Cathedral of Saint John the Divine, New York, New York
Baldwin Gallery, Aspen, Colorado
2009
Akira Ikeda Gallery, New York, New York
Sara Meltzer Gallery, New York, New York
2008
LA Louver, Venice, California
Liverpool Street Gallery, Sydney, Australia
2007
Miami Art Museum, Miami, Florida
Akira Ikeda Gallery, Taura, Japan
John Berggruen Gallery, San Francisco, California
Sara Meltzer Gallery, New York, New York
2006
Museum der bildenden Künste Leipzig, Germany
2005
Oakland Museum of California, Oakland, California
Brauer Museum of Art, Valparaiso, Indiana
Akira Ikeda Gallery, Berlin, Germany
2004
Berliner Philharmonie, Berlin, Germany
CU Art Museum, Boulder, Colorado
Liverpool Street Gallery, Sydney, Australia
Museum of Art Fort Lauderdale, Florida
2003
John Berggruen Gallery, San Francisco, California
Sheldon Museum of Art, Lincoln, Nebraska
Greg Kucera Gallery, Seattle, Washington
2002
Massachusetts College of Art, Boston, Massachusetts
Griffin, Santa Monica, California
Danese Gallery, New York, New York
2001
The Contemporary Museum, Honolulu, Hawaii
The Orange County Museum of Art, Newport Beach, California
Von der Heydt-Museum, Wuppertal, Germany
2000
Griffin, Venice, California
Rena Bransten Gallery, San Francisco, California
Galería Ramis Barquet, Monterrey, Mexico
1999
Andrew Mummery Gallery (at St. Pancras Chambers), London, United Kingdom
1998
Galerie Bäumler, Regensburg, Germany
Luigi Marrozzini Gallery, San Juan, Puerto Rico
1997
Burnett Miller Gallery, Santa Monica, California
1996
Bronx Museum of the Arts (with Alberto Rey), Bronx, New York
1995
Dorothy Goldeen Gallery, Santa Monica, California
1994
University Art Museum, University of California, Santa Barbara, California
SELECTED COLLECTIONS
Metropolitan Museum of Art, New York, New York
The State Hermitage Museum, St. Petersburg, Russia
Whitney Museum of American Art, New York, New York
Los Angeles County Museum of Art, Los Angeles, California
Moderna Museet, Stockholm, Sweden
Museum of Contemporary Art, Los Angeles, California
Wadsworth Atheneum Museum of Art, Hartford, Connecticut
Miami Art Museum, Miami, Florida
Museum der bildenden Künste Leipzig, Germany
The Museum of Fine Arts, Houston, Texas
Denver Art Museum, Denver, Colorado
Konsthallen Strandverket på Marstrand, Sweden
Museum of Contemporary Art, San Diego, California
Oakland Museum of California, Oakland, California
The Patricia & Phillip Frost Art Museum, Miami, Florida
Sheldon Museum of Art, Lincoln, Nebraska
Joan Flasch Artists’ Book Collection, School of the Art Institute of Chicago, Chicago, Illinois
The Colorado Collection, Boulder, Colorado
Frederick R. Weisman Art Museum, Minneapolis, Minnesota
Henry Art Gallery, University of Washington, Seattle, Washington
Boca Raton Museum of Art, Boca Raton, Florida
The Contemporary Museum, Honolulu, Hawaii
Neues Stadtmuseum der Stadt Landsberg/Lech, Germany
Davenport Museum of Art, Davenport, Iowa
The Bronx Museum of the Arts, Bronx, New York
Museum of Nebraska Art, Kearney, Nebraska
Pomona College Museum of Art, Claremont, California
Arkansas Art Center, Little Rock, Arkansas
Brauer Museum of Art, Valparaiso, Indiana
PROFESSORSHIPS
2014
Montgomery Fellow, Dartmouth College, Hanover, New Hampshire
2007-10
Visiting Presidential Professor, University of Nebraska, 2007–2010
1994-2003
Associate Professor, Pomona College and Claremont Graduate University
SELECTED HONORS
Montgomery Fellow, Dartmouth College
Visiting Presidential Professor, University of Nebraska
National Artist Award, Anderson Ranch Arts Center
Cecil and Ida Green Honors Chair, Texas Christian University
Alchemy Foundation Grant
California Community Foundation Fellowship, J. Paul Getty Trust Fund for the Visual Arts
Young Talent Award, Los Angeles County Museum of Art
Interdisciplinary Humanities Fellow, University of California
BIBLIOGRAPHY
Interviews, Essays, and Statements by the Artist
Reed, Arden. “Enrique Martínez Celaya: SITE Santa Fe.” Art in America, October 2013.
Tresp, Lauren. “The Pearl of Memory.” ARTslant, 26 September 2013.
Mclister, Iris. “Enrique Martinez Celaya: ‘The Pearl’ at SITE Santa Fe ‘Concepts and Studies for The Pearl’ at James Kelly Contemporary.” Art Ltd. Magazine, September/October 2013.
Davis M., Kathryn. “Enrique Martínez Celaya: Concepts and Studies for the Pearl.” THE Magazine, September: 47.
Honigman, Ana Finel. “Critic’s Picks: Enrique Martínez Celaya at SITE Santa Fe.” Artforum, 7 August 2013.
Pobric, Pac. “Home from home: Pac Pobric on Enrique Martínez Celaya’s ‘The Pearl’ at SITE Santa Fe.” The Art Newspaper, 16 July 2013.
Raskin, David. “Enrique Martínez Celaya: From the Cliché to the Archetype.” Arte Al Día, Issue 143: 60-67.
Abatemarco, Michael. “Domestic disturbance: Enrique Martínez Celaya’s ‘The Pearl’.” Santa Fe New Mexican, 12 July 2013: Pasatiempo 38-40.
Roberts, Kathleen. “SITE Santa Fe evolves to display ‘The Pearl’.” Albuquerque Journal, 11 July 2013.
Wood, Eve. “Enrique Martínez Celaya: L.A. Louver.” Artillery, March/ April, 2013: 47.
Frank, Peter. “Haiku Review: Enrique Martínez Celaya.” The Huffington Post, 6 February 2013.
Ollman, Leah. “Critics Choice: Enrique Martínez Celaya art of displacement and longing.” Los Angeles Times, 23 November 2012.
“Enrique Martínez Celaya: The Hunt’s Will.” Artweek LA, 12 November 2012.
Chavez, Juan Carlos. “Afloran los recuerdos con escultura homenaje a Operación Pedro Pan en Miami.” El Nuevo Herald, 19 October 2012.
Persman, Joanna. “Längtan i exil blir en fullträff (Longing in exile, a direct hit).” Svenska Dagbladet, 12 September 2012: 6.
Althén, Kajsa. “Exil med många möjligheter (Exile with many possibilities).”
Västerbottens-Kuriren, 31 August 2012.
Shaw, Anny. “Monumental sculpture inspired by Cuban exodus unveiled at Hermitage.” The Art Newspaper, 8 July 2012.
Shaw, Anny. “Hermitage buys Martínez Celaya’s first video.” The Art Newspaper, No. 231, January 2012: 6.
Graff, Gary. “Cowboy Junkies Getting Back to “The Folk Vibe” on “The Wilderness.” Billboard Magazine, 8 March 2012.D.G.
“Enrique Martínez Celaya.” Arte y Parte, February: 85.
Hernández, Noélia. “Ficción invernal.” La Vanguardia, 22 February 2012: Cultura 20.
Soto, Karen. “Los aventajados hemisferios de Enrique Martínez Celaya.” Complot Magazine, February 2012: 60-63.
Alvarez, Lizette. “Miami Is Now About Art.” New York Times, 30 November 2011: front page, Section C page 2.
Wolff, Rachel. “Miami Ice: A View of Beethoven.” Wall Street Journal, 28 October 2011: D4.
Wallwork, Rebecca. “Fantastic Journey: Artist Enrique Martínez Celaya sheds new light on exile experience.” Modern Luxury, December 2011: 204.
Bonadio, Jocelyn. “Beethoven in a New (Darker Light).” WQXR: 105.9 FM (New York), 9 November 2011.
Tschida, Anne. “Snows of Exile: Enrique Martínez Celaya Schneebett at the Miami Art Museum.” The Miami Herald, 16 October 2011: 3M.
Hood, John. “NiteTalk: Sleeptalking to Beethoven.” NBC Miami, 14 October 2011. Moreno, Sarah. “Beethoven: inspiración y ausencia en arte universal.”
El Nuevo Herald, 13 October 2011.
Lamb, Camille. “Enrique Martínez Celaya Schneebett, Beethoven’s Frigid
Deathbed, Opens at Miami Art Museum.” Miami New Times, 11 October 2011. Ollman, Leah. “Art review: Enrique Martínez Celaya at L.A. Louver.”
Los Angeles Times, 23 June 2011.
Fernandez, Juan. “La Ciencia Como Arte.” SUMMUS, June-September 2011: 44-53.
Mendelssohn, Joanna. “Enrique Martínez Celaya: The Cliff.” Studio International, 27 May 2011.
McDonald, John. “From the Heart.” The Sydney Morning Herald, 7-8 May 2011: Spectrum II, Visual Art.
Serisier, Gillian. “Fighting the Narrative Pull.” Australian Art Collector, Issue 56, April-June 2011: 160-169.
Gibson, Prue. “Seductive fictions: Enrique Martínez Celaya.” Art Monthly, 6 May 2011.
Gall, Naomi. “Enrique Martínez Celaya: The Cliff.” ArtLink, May 2011: Vol 31, No. 3.
Sommereyns, Omar. “Power Players 2011.” Florida International Magazine, April 2011: 75.
Leyva, Irina. “Enrique Martínez Celaya.” ArtNexus, No. 80, Vol. 10, 2011: 100.
Orel, Gwen. “Cowboy Junkies’ Margo Timmins Goes Underneath Her Covers.” The Wall Street Journal, 4 February 2011.
“The Grand Show: Enrique Martínez Celaya. Selected Work 1992 – 2010.” ArtCircuits, 12 February 2011.
Friedrick, Sara. “Enrique Martínez Celaya: Selected Work/Obra Selecta 1992-2010.” Miami Herald, 16 January 2011: 2M.
Colapinto, John. “Just Have Less.” The New Yorker, 3 January 2011: 37.
Japour, Anthony. “Brilliance in Our Midst.” SocialMiami.com, 9 January 2011.
Milliner, Matthew. “The Return of the Religious in Contemporary Art.” The Huffington Post, 6 January 2011.
Moreno, Sarah. “Bienal De Arte Dice Adios.” El Nuevo Herald, 2011.
Sokol, Brett. “Divine Aspiration.” Ocean Drive, September 2010: 122;124.
Batet, Janet. “Enrique Martínez Celaya.” ArtNexus, No. 76, Vol. 9, 2010: 105.
Wolgamott, Kent L. “Enrique Martínez Celaya writings rigorous, enlightening and stimulating.” Lincoln Journal Star, 4 December 2010.
Turner, Elisa. “Critic’s Choice, Best Openings.” ArtCircuits, 20 December 2010: Vol 08, No 50.
Gaskell, Ivan. “A Nietzschean Encounter.” The Wanderer: Foreign Landscapes of Enrique Martínez Celaya. New York: Museum of Biblical Art, 2010: 50-64.
Milliner, Matthew J., “Ambiguity at the American Acropolis.” The Public Discourse, 11 November 2010.
Ha, Christina. “The Wanderer: Foreign Landscapes of Enrique Martínez Celaya at Museum of Biblical Art in New York.” Sunday Arts News. PBS Thirteen – New
York Public Media, New York, NY, 11 October 2010.
Reno, R.R. “The Body of Death, Pictured.” First Things, 14 October 2010. Fernandez, Enrique. “Enrique Martínez Celaya is Miami’s most exotic
Cuban artist.” Poder, 7 September 2010.
Brooks, Samantha. “Big Sur.” Robb Report, August 2010: 126-132.
Batet, Janet. “Arte, Compromiso Moral y Profecía (Art, Moral Commitment and Prophecy).” El Nuevo Herald, 4 July: D.
Ollman, Leah. “Enrique Martínez Celaya.” Art in America, Exhibition Reviews, March 2009: 153.
Neil, Jonathan T.D. “Enrique Martínez Celaya.” ArtReview, March 2009: 30. Serisier, Gillian. “The Art of Space. The Space of Art.” Australian
Design, 6 January 2009.
Blazier, Wendy M. “Enrique Martínez Celaya: An Unfinished Conversation.”
Fine Art Connoisseur, Vol. 6, Issue 6, December 2009: 50.
Eyman, Scott. “The Paintings of Enrique Martínez Celaya.” The Palm Beach
Post, 15 November 2009: 1D, 11D.
Rigual, Luis R. “100 Individuals Pushing Florida Into the Future.”
Florida International Magazine, April 2009: 81.
González, Gaspar. “Brush Fire.” Aspen Magazine, 2009/2010: 60.
Finkel, Jori. “Layers of Devotion (and the Scars to Prove It).” The New York Times, Sunday, 23 November 2008: AR 30.
Schmidt, Hans-Werner, editor. Nullsechs Nullsieben mdbk, Leipzig: Museum der bildenden Künste Leipzig, 2008: 126-127.
Gibson, Prue. “Raw Talent.” Vogue Australia, August 2008: 59. “Martínez Celaya and the Exile’s Nomadism (Martínez Celaya y el Nomadismo
del Exiliado).” ArtPremium, Vol. 4, No. 21, 2008: 10.
Bennie, Angela. “Quantum Man Mines the Chasm Between Art and Science.”
The Sydney Morning Herald, 5 March 2008.
Donohue, Marlena. “Enrique Martínez Celaya.” ArtScene, December 2008.
“Enrique Martínez Celaya: Daybreak.” The Magazine Los Angeles, November 2008.
Herrera, Adriana. “Martínez Celaya: Visiones Nómadas.” El Nuevo Herald, 6 January 2008.
“Installation Schneebett in Leipzig zu sehen.” Lausitzer Rundschau, 22 June 2007.
Pupat, Hendrik. “Das Haus nach innen Erweitern.” Leipziger Volkszeitung, 21 June 2007: 10.
Finkel, Jori. “Enrique Martínez Celaya.” ArtNews, May 2007: 175. Damian, Carol. “Enrique Martínez Celaya: The Rhythms of Life.” ArtNexus,
No. 67, Vol. 6, 2007.
Suarez De Jesus, Carlos. “Nomad.” Miami New Times, 22 November 2007.
Steinhart, Frank, Executive Producer. “Enrique Martínez Celaya at Miami Art Museum.” Mega TV, Florida, 13 November 2007.
Wolgamott, L. Kent. “The Artist and Nebraska.” Lincoln Journal Star, 13 October 2007.
Platt, Susan. “Enrique Martínez Celaya, Seattle.” Art Papers, July/ August 2007: 69-70.
“Anderson Ranch Honors Artist, Patrons.” The Aspen Times, 21 April 2007.
Dunne, Aidan. “Space for a Sense of Place.” The Irish Times, 5 April 2007.
Cash, Stephanie. “Report from Colorado.” Art in America, February 2007.
Siedell, Daniel A. “Enrique Martínez Celaya: Coming Home Before and After Schneebett.” artUS, January/February 2007: 10-13.
McEvilley, Thomas. “Preface.” Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006, 19-23.
Caruso, Laura, editor. RADAR: Selections from the Collection of Vicki and Kent Logan. Denver: Denver Art Museum, 2006, 74-75.
Williams, Christian. “An Ever Wider World: Enrique Martínez Celaya.” West Magazine, 11 June: 34-37, 52.
Hanor, Stephanie, Hugh M. Davies, Francis Alys. TRANSactions: Contemporary Latin American and Latino Art, San Diego: Museum of Contemporary Art
San Diego, 2006, 137.
Felstiner, John. “Your Song, What Does It Know?” Martínez Celaya. Early Work, Delray Beach: Whale & Star Press, 2006, 377-379.
Wendland, Johannes. Leipzig, Germany. Kunstzeitung, September 2006: 121.Leipzig lädt ins Schneebett. Die Welt, 14 July 2006.
Julke, Ralf. “Mitgefühl für Beethoven: Bildermuseum zeigt Martínez
Celaya’s Schneebett.” Leipzig-Internet Zeitung, 22 June 2006.
Dea, Cynthia. “A Spiritual ‘Peace’ of Mind.” Los Angeles Times, 15 June 2006.
Peters, Sue. “Review: Enrique Martínez Celaya.” Seattle Weekly, 12 April 2006.
Buckwater, Timothy. “Enrique Martínez Celaya at the Oakland Museum.” The Monthly, January 2006: 5.
Frank, Peter. “Review: Enrique Martínez Celaya.” LA Weekly, January 2006: 13-19.
Ollman, Leah. “Renaissance Man Looks to the Past.” Los Angeles Times, 9 December 2005.
González, Gaspar. “The Escape Artist.” Boca Raton Magazine, December 2005: 117-118, 256, 258.
Gavlak, Sarah. “Portrait of the Artist.” Ocean Drive, November 2005.
Mills, Michael. “Best Local Artist.” Palm Beach New Times, May 2005: 12-18.
Gilbert, James. “Enrique Martínez Celaya.” Flaunt, No. 54, 2004: 86-89.
Damian, Carol. “Enrique Martínez Celaya.” ArtNexus, Vol. 3, No. 53, 2004: 129-130.
Forck, Gerhard. “Schneebett: Eine Installation in der Philharmonie.” Berliner Philhamoniker Das Magazin, November/December 2004: 85.
Knott, Marie Luise. “Künstler dieser Ausgabe: E.M. Celaya.” Le Monde Diplomatique, November 2004.
Rakow, Mary. “Looking for a Context for Martínez Celaya’s Work.” works + conversations, No. 9, October 2004: 14-19.
Turner, Elisa. “The Prince of Darkness.” The Miami Herald, 7 March 2004: Section M 3, 5.
Schudel, Matt. “Layers of Meaning.” Sun-Sentinel, 7 March 2004: 14-15. Mills, Michael. “Black is Back.” Broward-Palm Beach New Times, 25-31
March 2004: 34.
Oksenhorn, Stewart. “Winter’s Child.” Aspen Times Weekly, February 2004: 21-22.
Martin, Victoria. “Enrique Martínez Celaya at Griffin Contemporary.” ArtWeek, Vol. 34, No. 10, 20 December 2003-January 2004. (cover)
Siedell, Daniel A. “The October Cycle, 2000-2002.” The October Cycle, 2000-2002, Seattle: Marquand Books, 2003, 12-29.
McEvilley, Thomas. “Martínez Celaya: No Horizon Line.” All the field is ours, Santa Monica: Griffin Contemporary, 2003, 5-10.
Wong-Sutch, Sabina. “The Art of Living.” The Peninsula, Vol. 1, No. 1, 2003: 34-40.
Genocchio, Benjamin. “An Ethereal World, Explored Breath by Breath.” The New York Times, 2003: 14WC.
Douglas, Sarah. “Enrique Martínez Celaya: All the Field is Ours.” The Art Newspaper, No. 140, 2003: 9.
Wolgamott, L. Kent. “Top 10 Art Shows of 2003.” Lincoln Journal Star, 28 December 2003.
Scott, Carolyn Patricia. “A Colorful New Martínez Celaya.” Los Angeles Times, 18 December 2003: E60.
Becker, Lisa Tamiris. “Enrique Martínez Celaya: Poetry in Process.” Colorado University Art Museum Bulletin, Fall 2003: 2, 5.
Ollman, Leah. “In a Silent Season.” Art in America, May 2003: 132-137.
Turner, Nancy Kay. “Enrique Martínez Celaya.” ArtScene, November 2002: 24, 25.
Ollman, Leah. “Primal Emotions Evoked in Black.” Los Angeles Times, 1 November 2002: E27.
Pagel, David. “Enrique Martínez Celaya.” Los Angeles Times, 19 April 2002.
Chattopadhyay, Collette. “Enrique Martínez Celaya, Orange County Museum of Art.
”ArtNexus, Vol. 2, No. 44, 2002: 117–118.
Merewether, Charles. “Departure Without Return.” Enrique Martínez Celaya:
1992-2000. (Cologne, Germany: Wienand), 2001: 31-47.
Solomon-Godeau, Abigail. “Restitutional Fragments.” Enrique Martínez
Celaya: 1992-2000, Cologne: Wienand, 2001, 51-73.
Ollman, Leah. “Insight Within Arm’s Reach.” Los Angeles Times, 26 November
2001: F2.
Heyward, Carl. “Review,” Art Papers, May/June 2001: 53.
Rosenberg, Jeremy. “The Evolution of Enrique.” Los Angeles Times, 6 March 2001: F-22.
Breidenbach, Tom. “Enrique Martínez Celaya.” ArtForum, February 2001: 155.
Frank, Peter, “Art Picks of the Week.” LA Weekly, 16-22 February 2001: 150.
Tompkins, Calvin. “Enrique Martínez Celaya.” The New Yorker, 11 December 2000: 26.
LaBerge, Stephen. “Exploring the World of Lucid Dreaming.” Ions, Noetic Sciences Review, September-November 2000, No. 53: 15. (photo).
Thornburg, Barbara. “Latin Quarters.” Los Angeles Times Magazine, 24 September 2000: 32-35.
Chattopadhyay, Collette. “Enrique Martínez Celaya at Griffin Contemporary.” Artweek, July/August 2000: 20-21.
Knight, Christopher. “Catching the ‘Next Wave’ of Painters.” Los Angeles Times, 20 June 2000.
Hernández, David. “De Poesía, Pintura y Escultura.” Diario de Monterey (México), 3 May 2000: 38.
Ollman, Leah. “Poetry in Pictures.” Los Angeles Times, 26 May 2000: F-21.
Wario, Bertha. “Encuentra en Pintura Respuesta a Preguntas.” El Norte (Monterrey, México), 26 April 2000.
Brodzky, Anne Trueblood. “Unbroken Poetry.” Unbroken Poetry: The Work of Enrique Martínez Celaya, Venice: Whale & Star Press, 1999, 9-41.
Browning, Walter. “Terminal Thoughts.” Hampstead and Highgate Express, 5 November 1999.
Brown, Neal. “Review.” The Independent (London) 24 October 1999. Geer, Suvan. “Review.” ArtNexus, No. 32. May-July 1999: 131-132.
Ollman, Leah. “Enrique Martínez Celaya at Griffin Contemporary Exhibitions.” Art in America, May 1999: 166.
Frank, Peter. “Enrique Martínez Celaya.” Enrique Martínez Celaya: Berlin, The Fragility of Nearness, Venice: William Griffin Editions, 1998, 33-37.
Collins, Tricia. Tablet, “The Work of Three Poets.” Zing Magazine, Winter 1998: 134-138.
Ollman, Leah. Los Angeles Times, 25 December 1998: F-40.
Isé, Claudine. “Visual Poetry.” Los Angeles Times, 30 October 1998: 30.
Hein, Von Helmut. “Atemwende oder Die Welt im Kopf.” Mittelbayerische (Regens-burg, Germany), 6 August 1998: 53.
Böckel, Claudia. “Er Will Bewegen: ‘No Entertaining!’” Mittelbayerische (Regensburg, Germany), 30 June 1998.
Perez Ruiz, Jose Antonio. ArtNexus, May 1998: 132-133.
Frank, Peter. “Review” ArtNews, February 1998: 123.
Damian, Carol. ArtNexus, January-March 1998: 132-133.
Windhausen, Rodolfo. “Arte Latinoamericano.” La Prensa (Miami), 23 November 1997.
Alvarez Bravo, Armando. “La Poesía, Modelo de la Plastica.” El Nuevo Herald, 2 November 1997: 5E.
Alvarez Lezama, Manuel. San Juan Star, 3 October 1997.
García Gutiérrez, Enrique. “El Artista en su Laberinto.” El Nuevo Día,
Revista Domingo, (San Juan, Puerto Rico), 21 September 1997: 10-13. Riley, Charles A. “The Power of Restraint.” Enrique Martínez Celaya, New
York: Tricia Collins, Grand Salon, 1996, 5-13.
Schoenkopf, Rebecca. “A Marriage in Blood.” OC Weekly, 9 August 1996: 25.
Pohl, Frances. “Mammas, Don’t Let Your Babies Grow Up to be Painters.” Lions of Frosting, Santa Monica: Dorothy Goldeen Gallery, 1995, 5-11.
Von Froemming, Paul. “Gifts of Love.” The Independent, 1 December 1995: 58. Jenkins, Steven. “An Open Heart.” Artweek, 17 November 1995.
Greene, David A. “Painting the Town.” Los Angeles Reader, Vol. 17, No. 51, 29 September 1995.
Darling, Michael. “An Unusually Rich Storehouse of Ideas.” Scene Magazine, 20 August 1993.
Alvarez Lezama, Manuel. “Exhibit Asks Viewers to Question Boundaries.” The San Juan Star, 7 April 1993: F11.
Burkhart, Dorothy. “An Artist Worth Being Excited About.” San Jose Mercury News, 18 March 1992: 7D.
Alegre Barrios, Mario. “Martinez Celaya Exhibe en Luigi Marronzzini.” El Nuevo Día, 2 September 1991.
Interviews, Essays and Statements by the Artist
“Thank You for the Not-Art.” Beyond Kandinsky Symposium, sponsored by the School of Visual Arts (SVA), New York, NY, February 2011.
“On Painting.” Sheldon Museum of Art in Lincoln, Nebraska as part of the University of Nebraska Visiting Presidential Professorship, 21 April 2009.
Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 240-247.
“The Prophet.” Originally presented at the Joslyn Art Museum in Omaha, Nebraska as part of the University of Nebraska Visiting Presidential Professorship,
2 October 2009. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press,
2010, 231-239.
O’Hanian, Hunter. “EMC2,” AspenPeak, Winter 2008/Spring 2009. Serisier, Gillian. “Painting Himself Out of the Picture.” Artist Profile,
Issue 4, August 2008: 61-63.
“Art and Museums.” Journal of Aesthetic Education, 41/2, Summer 2007: 17-21.
“Photography as Grief.” Originally presented at the Sheldon Museum of Art in Lincoln, Nebraska as part of the University of Nebraska Visiting Presidential
Professorship. An earlier version was presented at the Miami Art Museum, 8 December 2006. Published as “Photography as Grief (Fragments)” artUS, 24/25
(Fall-Winter 2008): 68-71. Also published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of
Nebraska Press, 2010, 141-146.
“Boy Raising His Arm.” Excerpt from a statement to curator Klaus Ottmann for the work, Boy Raising His Arm, for OPEN e v+a–a sense of place, March 30-
June 24 in Limerick, Ireland, 2007.
“A Personal Note on Art and Compassion.” works + conversations, No. 14, 10 April 2007: 24-25.
“Introductions to Projects.” Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006.
“Shaping Language.” How I Learned English, ed. Tom Miller. Washington D.C.: National Geographic Society, 2007, 111-114. Also published in Spanish.
Whittaker, Richard. “A Conversation with Enrique Martínez Celaya, Self & Beyond Self.” works + conversations, No. 9, October 2004: 2-13.
“Schneebett.” Translated into German and published in a booklet for the presentation of Schneebett (2004), at the Berliner Philharmonie, Berlin, Germany,
September 2004.
“Twelve Thoughts on the October Cycle.” Enrique Martínez Celaya: The October Cycle, 2000-2002. Seattle, Washington: Marquand Books in association
with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska in Lincoln, 2003, 81-83. Also published in Enrique Martínez Celaya: Poetry
in Process. Boulder: CU Art Museum, 2004, 78-85.
Wolgamott, L. Kent. Radio Interview with Enrique Martínez Celaya, 23 November 2003. Excerpts published in “A Premonition of Winter: Enrique Martínez
Celaya’s ‘The October Cycle’ is a contemplation of time, memory,” Lincoln Journal Star, 7 December 2003.
Hoffmann, Roald. “The Fuzzy Boundary: Science and Art,” Enrique Martínez Celaya: Poetry in Process. Boulder: CU Art Museum, 2003, 91-99.
Fox, Howard N. “Interview with Enrique Martínez Celaya,” Enrique Martínez Celaya 1992-2000. Cologne, Germany: Wienand, 2001, 77-83.
“Preface.” Selections from Charles Baudelaire, Les Fleurs du Mal, with the original etchings by Odilon Redon. Venice: Whale & Star Press, 2001, 7 December
2000: 1-2.
“Notes to Anne Trueblood Brodzky.” Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999, 21; 25; 32; 41.
Yariv, Amnon. “Compassion and Subjectivity (Conversation with Amnon Yariv and Enrique Martínez Celaya).” Unbroken Poetry: The Work of Enrique Martínez
Celaya, Venice: Whale & Star Press, 1999, 67-75.
Greenstein, M.A. “Why Hegel?” Enrique Martínez Celaya: Berlin, The Fragility of Nearness. Venice: William Griffin Editions, 1998, 73-80.
“A Manifesto.” Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, May 1994.
Miles, Christopher. “A Conversation with Enrique Martínez Celaya.” Artweek, December 1997: 15-17.
Books by the Artist
Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya.
Lincoln and London: University of Nebraska Press, 2010.
The Nebraska Lectures, 2007-2010. Lincoln and London: University of Nebraska Press, 2010.
The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009. Guide. Los Angeles: Whale & Star Press, 2002.
October. Amsterdam: Cinubia, 2001.
Berlin. Los Angeles: Stephen Cohen Gallery and William Griffin Editions, 1998.
Selected Books and Monographs
Enrique Martínez Celaya: Working Methods/Metodos de trabajo. Barcelona, Spain: Ediciones Poligrafa, 2013. Text by Mary Rakow and Matthew Biro.
Martínez Celaya: Selected Work/Obra Selecta, 1992-2010. Miami: Gary Nader Fine Art, 2010. Texts by Carol Damian and Lisa Tamiris Becker.
An Unfinished Conversation: Collecting Enrique Martínez Celaya. Boca Raton: Boca Raton Museum of Art, 2009. Texts by Martin Brest, Wendy Blazier,
Daniel A. Siedell.
Daybreak. Venice: LA Louver Gallery, 2009. Text by Enrique Martínez Celaya. The Lovely Season. Sydney: Liverpool Street Gallery, 2008. Text by
Enrique Martínez Celaya.
The Return of the Storks. Berlin: Akira Ikeda Gallery, 2008. Text by Lorie Karnath with illustrations by Enrique Martínez Celaya.
Nomad. Delray Beach: Miami Art Museum in collaboration with Whale & Star Press, 2007.
Another Show for the Leopard. Aspen: Baldwin Gallery, 2007.
Poetry and Process. Boulder: CU Art Museum, 2007. Text by Lisa Tamiris-Becker.
Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006. Text by Daniel A. Siedell, Thomas McEvilley, John Felstiner, Christian Williams and
Enrique Martínez Celaya.
The October Cycle. Seattle: Marquand Books; Published in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-
Lincoln, 2003. Text by Daniel A. Siedell and Enrique Martínez Celaya.
All the Field is Ours. Santa Monica: Griffin Contemporary, 2003. Text by Thomas McEvilley.
Enrique Martínez Celaya, 1992-2000. Cologne, Germany: Wienand Verlag, 2001. Texts in English and German by Charles Merewether, Abigail Solomon-
Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed and Colette Dartnall.
Amerika – Europa: Ein künstlerischer Dialog. Wuppertal, Germany: Von der Heydt-Museum, 2001. Texts by Sabine Fehlemann, Peter Frank, Pontus Hulten,
Dieter Rosenkranz, Klaus Weber, Wulf Herzogenra, Marlene Baum and Charles Merewether.
Pinturas de Merced. Monterrey, Mexico and New York: Galería Ramis Barquet, 2000. Text by Charles Merewether.
Enrique Martínez Celaya: Works on Paper and Poems. San Juan, Puerto Rico: Luigi Marrozzini Gallery and Santa Monica: Griffin Contemporary, 1998.
The Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, 1994.
Selected Publications of Whale & Star Press
(Founded by Martínez Celaya in 1998)
Cowboy Junkies: Nomad. Miami: Whale & Star Press, 2012.
Intimations, Selected Poems by Anna Akhmatova. Delray Beach: Whale &
Star Press, 2009.
The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009. Modernist Archaist. Delray Beach: Whale & Star Press, 2008.
Nomad. Delray Beach: Whale & Star Press in collaboration with Miami Art Museum, 2007.
The Conversations. Delray Beach: Whale & Star Press, 2007.
Cowboy Junkies XX. Delray Beach: Whale & Star Press, 2006.
Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya
and John Felstiner, 2006.
Guide. Los Angeles: Whale & Star Press, 2002. Published in collaboration with Griffin Editions and Mark Hasencamp. Text and Photographs by Enrique
Martínez Celaya. Volume I (the text) 140 pages. Volume II (a suite of 10 original black and white photographs). Edition of 60.
Sketches of Landscapes. Los Angeles: Whale & Star Press, 2002. Edited with commentaries by Enrique Martínez Celaya.
Selections from Les Fleurs du Mal. Venice: Whale & Star Press, 2001. Joseph Beuys, Multiples and Other Forms of Politics. Venice: Whale & Star
Press, 2001. Text by Beatrice Foessel and Johannes Stuettgen.
Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999. Text by Anne Trueblood Brodzky.
SELECTED LECTURES
Santa Fe University of Art and Design, “The Pearl and the Total Work of Art.” Sponsored by SITE Santa Fe in conjunction with the exhibition, The Pearl, 1 October 2013, Santa Fe, New Mexico.
University of Michigan, “The Tower of Snow: A Story of Process.” Sponsored by the UM Department of Art and Art History, 29 March 2013, Ann Arbor,
Michigan.
New York Studio School. Lecture presented in conjunction with the Featured Artist Lecture Series, 6 March 2011, New York, New York.
University of California Santa Barbara, “On Worth.” Sponsored by the UCSB Department of Art, 19 April 2011, Santa Barbara, California. A later version was
presented at the Anderson Ranch Arts Center as part of the Featured Artists Lecture Series, 23 June 2011, Aspen, Colorado.
Phillip and Patricia Frost Art Museum. Lecture presented as part of Art Basel’s Official Annual Event, “Breakfast in the Park”, 5 December 2010, Miami, Florida.
School of the Art Institute of Chicago. Lecture cosponsored by the Department of Art History and the Department of Painting and Drawing, 29 October 2010,
Chicago, Illinois. An earlier version was presented at the Museum of Biblical Art in New York in conjunction with the exhibition The Wanderer: Foreign
Landscapes of Enrique Martínez Celaya, 4 November 2010.
Sheldon Museum of Art, “On Painting.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University
of Nebraska, 21 April 2009, Lincoln, Nebraska. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London:
University of Nebraska Press, 2010, 240-247.
Joslyn Art Museum, “The Prophet.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of
Nebraska, 2 October 2009, Omaha, Nebraska. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London:
University of Nebraska Press, 2010, 231-239.
University of Nebraska-Omaha, “Art & the University.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at
the University of Nebraska, 7 April 2009, Omaha, Nebraska.
Kaneko, “Systems, Time and Daybreak.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University
of Nebraska, 7 October 2008, Omaha, Nebraska.
Sheldon Museum of Art, “Art and Museums.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the
University of Nebraska, 15 April 2008, Lincoln, Nebraska. Originally published as “The Parting of the Exemplary Museum,” works + conversations, 15
November, 2007: 34-35, 45; and as “Now What?” Journal of Aesthetic Education, Vol. 41 No. 2, Summer 2007: 17-21.
Sheldon Museum of Art, “Photography as Grief.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the
University of Nebraska, Lincoln, Nebraska. An earlier version was presented at the Miami Art Museum, 8 December 2006, Miami, Florida. Published as
“Photography as Grief (Fragments)” artUS, 24/25 (Fall/ Winter 2008): 68-71. Also published in Collected Writings and Interviews, 1990-2010: Enrique
Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 141-146.
UCLA Fowler Museum of Cultural History, “Art and Compassion.” Lecture presented in conjunction with the traveling exhibition The Missing Peace: Artists
Consider the Dalai Lama, 2006. Published as “A Personal Note on Art and Compassion,” works + conversations, No. 14 (May 2007), 10 April 2007: 24-25.
Education Summit, Hope Center, “Idea Generation: Currency for the Knowledge Economy The Fuzzy Boundary: Science and Art.” 14 November 2005,
Richmond, Virginia.
American Academy in Berlin, Berliner Philharmonie. Lecture co-sponsored by the Stiftung Berliner Philharmoniker, the Forum Zukunft Berlin, and the
American Academy in Berlin, 19 October 2004, Berlin, Germany.
Aspen Institute, “Poetry and Process.” Lecture presented in conjunction with the exhibition Poetry in Process at the CU Art Museum, Boulder, Colorado,
2004, Aspen, Colorado.
New York University, “New Work.” 2002, New York, New York.
University of Hawaii at Manoa, Artist Lecture. Lecture given in conjunction with Martínez Celaya’s appointment Distinguished Visiting Artist, September
200, Honolulu, Hawaii.
Orange County Museum of Art, 4 December 2001, Newport Beach, California. An earlier version was presented at the University of Hawaii at Manoa,
Honolulu, Hawaii, 4 September 2001. Both lectures were given on the occasion of the traveling exhibition, Enrique Martínez Celaya: 1992-2000.
BIOGRAPHY
Born 1964 in Cuba
Lives and works in Miami, FL
EDUCATION
1994
Skowhegan School of Painting and Sculpture, Skowhegan, Maine
MFA, Painting, University of California, Santa Barbara, California
1988
MS, Quantum Electronics, University of California, Berkeley, California
1986
BS, Applied & Engineering Physics, Cornell University, Ithaca, New York
SELECTED SOLO EXHIBITIONS
2015
LA Louver, Venice, California
Jack Shainman Gallery, New York, New York
2014
Place, Fredric Snitzer Gallery, Miami, FL
Hood Art Museum, Dartmouth College, Hanover, New Hampshire
Galleri Andersson/Sandström, Umeå, Sweden
Parafin, London, United Kingdom
2013
Strandverket Konsthall, Marstrand, Sweden
SITE Santa Fe, Santa Fe, NewMexico
James Kelly Contemporary, Santa Fe, New Mexico
2012
The State Hermitage Museum, St. Petersburg, Russia
LA Louver, Venice, California
Galleri Andersson/Sandström, Stockholm, Sweden
Galeria Joan Prats, Barcelona, Spain
2011
Miami Art Museum, Miami, Florida
LA Louver Gallery, Venice, California
Liverpool Street Gallery, Sydney, Australia
2010
Simon Lee Gallery, London, United Kingdom
Cathedral of Saint John the Divine, New York, New York
Baldwin Gallery, Aspen, Colorado
2009
Akira Ikeda Gallery, New York, New York
Sara Meltzer Gallery, New York, New York
2008
LA Louver, Venice, California
Liverpool Street Gallery, Sydney, Australia
2007
Miami Art Museum, Miami, Florida
Akira Ikeda Gallery, Taura, Japan
John Berggruen Gallery, San Francisco, California
Sara Meltzer Gallery, New York, New York
2006
Museum der bildenden Künste Leipzig, Germany
2005
Oakland Museum of California, Oakland, California
Brauer Museum of Art, Valparaiso, Indiana
Akira Ikeda Gallery, Berlin, Germany
2004
Berliner Philharmonie, Berlin, Germany
CU Art Museum, Boulder, Colorado
Liverpool Street Gallery, Sydney, Australia
Museum of Art Fort Lauderdale, Florida
2003
John Berggruen Gallery, San Francisco, California
Sheldon Museum of Art, Lincoln, Nebraska
Greg Kucera Gallery, Seattle, Washington
2002
Massachusetts College of Art, Boston, Massachusetts
Griffin, Santa Monica, California
Danese Gallery, New York, New York
2001
The Contemporary Museum, Honolulu, Hawaii
The Orange County Museum of Art, Newport Beach, California
Von der Heydt-Museum, Wuppertal, Germany
2000
Griffin, Venice, California
Rena Bransten Gallery, San Francisco, California
Galería Ramis Barquet, Monterrey, Mexico
1999
Andrew Mummery Gallery (at St. Pancras Chambers), London, United Kingdom
1998
Galerie Bäumler, Regensburg, Germany
Luigi Marrozzini Gallery, San Juan, Puerto Rico
1997
Burnett Miller Gallery, Santa Monica, California
1996
Bronx Museum of the Arts (with Alberto Rey), Bronx, New York
1995
Dorothy Goldeen Gallery, Santa Monica, California
1994
University Art Museum, University of California, Santa Barbara, California
SELECTED COLLECTIONS
Metropolitan Museum of Art, New York, New York
The State Hermitage Museum, St. Petersburg, Russia
Whitney Museum of American Art, New York, New York
Los Angeles County Museum of Art, Los Angeles, California
Moderna Museet, Stockholm, Sweden
Museum of Contemporary Art, Los Angeles, California
Wadsworth Atheneum Museum of Art, Hartford, Connecticut
Miami Art Museum, Miami, Florida
Museum der bildenden Künste Leipzig, Germany
The Museum of Fine Arts, Houston, Texas
Denver Art Museum, Denver, Colorado
Konsthallen Strandverket på Marstrand, Sweden
Museum of Contemporary Art, San Diego, California
Oakland Museum of California, Oakland, California
The Patricia & Phillip Frost Art Museum, Miami, Florida
Sheldon Museum of Art, Lincoln, Nebraska
Joan Flasch Artists’ Book Collection, School of the Art Institute of Chicago, Chicago, Illinois
The Colorado Collection, Boulder, Colorado
Frederick R. Weisman Art Museum, Minneapolis, Minnesota
Henry Art Gallery, University of Washington, Seattle, Washington
Boca Raton Museum of Art, Boca Raton, Florida
The Contemporary Museum, Honolulu, Hawaii
Neues Stadtmuseum der Stadt Landsberg/Lech, Germany
Davenport Museum of Art, Davenport, Iowa
The Bronx Museum of the Arts, Bronx, New York
Museum of Nebraska Art, Kearney, Nebraska
Pomona College Museum of Art, Claremont, California
Arkansas Art Center, Little Rock, Arkansas
Brauer Museum of Art, Valparaiso, Indiana
PROFESSORSHIPS
2014
Montgomery Fellow, Dartmouth College, Hanover, New Hampshire
2007-10
Visiting Presidential Professor, University of Nebraska, 2007–2010
1994-2003
Associate Professor, Pomona College and Claremont Graduate University
SELECTED HONORS
Montgomery Fellow, Dartmouth College
Visiting Presidential Professor, University of Nebraska
National Artist Award, Anderson Ranch Arts Center
Cecil and Ida Green Honors Chair, Texas Christian University
Alchemy Foundation Grant
California Community Foundation Fellowship, J. Paul Getty Trust Fund for the Visual Arts
Young Talent Award, Los Angeles County Museum of Art
Interdisciplinary Humanities Fellow, University of California
BIBLIOGRAPHY
Interviews, Essays, and Statements by the Artist
Reed, Arden. “Enrique Martínez Celaya: SITE Santa Fe.” Art in America, October 2013.
Tresp, Lauren. “The Pearl of Memory.” ARTslant, 26 September 2013.
Mclister, Iris. “Enrique Martinez Celaya: ‘The Pearl’ at SITE Santa Fe ‘Concepts and Studies for The Pearl’ at James Kelly Contemporary.” Art Ltd. Magazine, September/October 2013.
Davis M., Kathryn. “Enrique Martínez Celaya: Concepts and Studies for the Pearl.” THE Magazine, September: 47.
Honigman, Ana Finel. “Critic’s Picks: Enrique Martínez Celaya at SITE Santa Fe.” Artforum, 7 August 2013.
Pobric, Pac. “Home from home: Pac Pobric on Enrique Martínez Celaya’s ‘The Pearl’ at SITE Santa Fe.” The Art Newspaper, 16 July 2013.
Raskin, David. “Enrique Martínez Celaya: From the Cliché to the Archetype.” Arte Al Día, Issue 143: 60-67.
Abatemarco, Michael. “Domestic disturbance: Enrique Martínez Celaya’s ‘The Pearl’.” Santa Fe New Mexican, 12 July 2013: Pasatiempo 38-40.
Roberts, Kathleen. “SITE Santa Fe evolves to display ‘The Pearl’.” Albuquerque Journal, 11 July 2013.
Wood, Eve. “Enrique Martínez Celaya: L.A. Louver.” Artillery, March/ April, 2013: 47.
Frank, Peter. “Haiku Review: Enrique Martínez Celaya.” The Huffington Post, 6 February 2013.
Ollman, Leah. “Critics Choice: Enrique Martínez Celaya art of displacement and longing.” Los Angeles Times, 23 November 2012.
“Enrique Martínez Celaya: The Hunt’s Will.” Artweek LA, 12 November 2012.
Chavez, Juan Carlos. “Afloran los recuerdos con escultura homenaje a Operación Pedro Pan en Miami.” El Nuevo Herald, 19 October 2012.
Persman, Joanna. “Längtan i exil blir en fullträff (Longing in exile, a direct hit).” Svenska Dagbladet, 12 September 2012: 6.
Althén, Kajsa. “Exil med många möjligheter (Exile with many possibilities).”
Västerbottens-Kuriren, 31 August 2012.
Shaw, Anny. “Monumental sculpture inspired by Cuban exodus unveiled at Hermitage.” The Art Newspaper, 8 July 2012.
Shaw, Anny. “Hermitage buys Martínez Celaya’s first video.” The Art Newspaper, No. 231, January 2012: 6.
Graff, Gary. “Cowboy Junkies Getting Back to “The Folk Vibe” on “The Wilderness.” Billboard Magazine, 8 March 2012.D.G.
“Enrique Martínez Celaya.” Arte y Parte, February: 85.
Hernández, Noélia. “Ficción invernal.” La Vanguardia, 22 February 2012: Cultura 20.
Soto, Karen. “Los aventajados hemisferios de Enrique Martínez Celaya.” Complot Magazine, February 2012: 60-63.
Alvarez, Lizette. “Miami Is Now About Art.” New York Times, 30 November 2011: front page, Section C page 2.
Wolff, Rachel. “Miami Ice: A View of Beethoven.” Wall Street Journal, 28 October 2011: D4.
Wallwork, Rebecca. “Fantastic Journey: Artist Enrique Martínez Celaya sheds new light on exile experience.” Modern Luxury, December 2011: 204.
Bonadio, Jocelyn. “Beethoven in a New (Darker Light).” WQXR: 105.9 FM (New York), 9 November 2011.
Tschida, Anne. “Snows of Exile: Enrique Martínez Celaya Schneebett at the Miami Art Museum.” The Miami Herald, 16 October 2011: 3M.
Hood, John. “NiteTalk: Sleeptalking to Beethoven.” NBC Miami, 14 October 2011. Moreno, Sarah. “Beethoven: inspiración y ausencia en arte universal.”
El Nuevo Herald, 13 October 2011.
Lamb, Camille. “Enrique Martínez Celaya Schneebett, Beethoven’s Frigid
Deathbed, Opens at Miami Art Museum.” Miami New Times, 11 October 2011. Ollman, Leah. “Art review: Enrique Martínez Celaya at L.A. Louver.”
Los Angeles Times, 23 June 2011.
Fernandez, Juan. “La Ciencia Como Arte.” SUMMUS, June-September 2011: 44-53.
Mendelssohn, Joanna. “Enrique Martínez Celaya: The Cliff.” Studio International, 27 May 2011.
McDonald, John. “From the Heart.” The Sydney Morning Herald, 7-8 May 2011: Spectrum II, Visual Art.
Serisier, Gillian. “Fighting the Narrative Pull.” Australian Art Collector, Issue 56, April-June 2011: 160-169.
Gibson, Prue. “Seductive fictions: Enrique Martínez Celaya.” Art Monthly, 6 May 2011.
Gall, Naomi. “Enrique Martínez Celaya: The Cliff.” ArtLink, May 2011: Vol 31, No. 3.
Sommereyns, Omar. “Power Players 2011.” Florida International Magazine, April 2011: 75.
Leyva, Irina. “Enrique Martínez Celaya.” ArtNexus, No. 80, Vol. 10, 2011: 100.
Orel, Gwen. “Cowboy Junkies’ Margo Timmins Goes Underneath Her Covers.” The Wall Street Journal, 4 February 2011.
“The Grand Show: Enrique Martínez Celaya. Selected Work 1992 – 2010.” ArtCircuits, 12 February 2011.
Friedrick, Sara. “Enrique Martínez Celaya: Selected Work/Obra Selecta 1992-2010.” Miami Herald, 16 January 2011: 2M.
Colapinto, John. “Just Have Less.” The New Yorker, 3 January 2011: 37.
Japour, Anthony. “Brilliance in Our Midst.” SocialMiami.com, 9 January 2011.
Milliner, Matthew. “The Return of the Religious in Contemporary Art.” The Huffington Post, 6 January 2011.
Moreno, Sarah. “Bienal De Arte Dice Adios.” El Nuevo Herald, 2011.
Sokol, Brett. “Divine Aspiration.” Ocean Drive, September 2010: 122;124.
Batet, Janet. “Enrique Martínez Celaya.” ArtNexus, No. 76, Vol. 9, 2010: 105.
Wolgamott, Kent L. “Enrique Martínez Celaya writings rigorous, enlightening and stimulating.” Lincoln Journal Star, 4 December 2010.
Turner, Elisa. “Critic’s Choice, Best Openings.” ArtCircuits, 20 December 2010: Vol 08, No 50.
Gaskell, Ivan. “A Nietzschean Encounter.” The Wanderer: Foreign Landscapes of Enrique Martínez Celaya. New York: Museum of Biblical Art, 2010: 50-64.
Milliner, Matthew J., “Ambiguity at the American Acropolis.” The Public Discourse, 11 November 2010.
Ha, Christina. “The Wanderer: Foreign Landscapes of Enrique Martínez Celaya at Museum of Biblical Art in New York.” Sunday Arts News. PBS Thirteen – New
York Public Media, New York, NY, 11 October 2010.
Reno, R.R. “The Body of Death, Pictured.” First Things, 14 October 2010. Fernandez, Enrique. “Enrique Martínez Celaya is Miami’s most exotic
Cuban artist.” Poder, 7 September 2010.
Brooks, Samantha. “Big Sur.” Robb Report, August 2010: 126-132.
Batet, Janet. “Arte, Compromiso Moral y Profecía (Art, Moral Commitment and Prophecy).” El Nuevo Herald, 4 July: D.
Ollman, Leah. “Enrique Martínez Celaya.” Art in America, Exhibition Reviews, March 2009: 153.
Neil, Jonathan T.D. “Enrique Martínez Celaya.” ArtReview, March 2009: 30. Serisier, Gillian. “The Art of Space. The Space of Art.” Australian
Design, 6 January 2009.
Blazier, Wendy M. “Enrique Martínez Celaya: An Unfinished Conversation.”
Fine Art Connoisseur, Vol. 6, Issue 6, December 2009: 50.
Eyman, Scott. “The Paintings of Enrique Martínez Celaya.” The Palm Beach
Post, 15 November 2009: 1D, 11D.
Rigual, Luis R. “100 Individuals Pushing Florida Into the Future.”
Florida International Magazine, April 2009: 81.
González, Gaspar. “Brush Fire.” Aspen Magazine, 2009/2010: 60.
Finkel, Jori. “Layers of Devotion (and the Scars to Prove It).” The New York Times, Sunday, 23 November 2008: AR 30.
Schmidt, Hans-Werner, editor. Nullsechs Nullsieben mdbk, Leipzig: Museum der bildenden Künste Leipzig, 2008: 126-127.
Gibson, Prue. “Raw Talent.” Vogue Australia, August 2008: 59. “Martínez Celaya and the Exile’s Nomadism (Martínez Celaya y el Nomadismo
del Exiliado).” ArtPremium, Vol. 4, No. 21, 2008: 10.
Bennie, Angela. “Quantum Man Mines the Chasm Between Art and Science.”
The Sydney Morning Herald, 5 March 2008.
Donohue, Marlena. “Enrique Martínez Celaya.” ArtScene, December 2008.
“Enrique Martínez Celaya: Daybreak.” The Magazine Los Angeles, November 2008.
Herrera, Adriana. “Martínez Celaya: Visiones Nómadas.” El Nuevo Herald, 6 January 2008.
“Installation Schneebett in Leipzig zu sehen.” Lausitzer Rundschau, 22 June 2007.
Pupat, Hendrik. “Das Haus nach innen Erweitern.” Leipziger Volkszeitung, 21 June 2007: 10.
Finkel, Jori. “Enrique Martínez Celaya.” ArtNews, May 2007: 175. Damian, Carol. “Enrique Martínez Celaya: The Rhythms of Life.” ArtNexus,
No. 67, Vol. 6, 2007.
Suarez De Jesus, Carlos. “Nomad.” Miami New Times, 22 November 2007.
Steinhart, Frank, Executive Producer. “Enrique Martínez Celaya at Miami Art Museum.” Mega TV, Florida, 13 November 2007.
Wolgamott, L. Kent. “The Artist and Nebraska.” Lincoln Journal Star, 13 October 2007.
Platt, Susan. “Enrique Martínez Celaya, Seattle.” Art Papers, July/ August 2007: 69-70.
“Anderson Ranch Honors Artist, Patrons.” The Aspen Times, 21 April 2007.
Dunne, Aidan. “Space for a Sense of Place.” The Irish Times, 5 April 2007.
Cash, Stephanie. “Report from Colorado.” Art in America, February 2007.
Siedell, Daniel A. “Enrique Martínez Celaya: Coming Home Before and After Schneebett.” artUS, January/February 2007: 10-13.
McEvilley, Thomas. “Preface.” Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006, 19-23.
Caruso, Laura, editor. RADAR: Selections from the Collection of Vicki and Kent Logan. Denver: Denver Art Museum, 2006, 74-75.
Williams, Christian. “An Ever Wider World: Enrique Martínez Celaya.” West Magazine, 11 June: 34-37, 52.
Hanor, Stephanie, Hugh M. Davies, Francis Alys. TRANSactions: Contemporary Latin American and Latino Art, San Diego: Museum of Contemporary Art
San Diego, 2006, 137.
Felstiner, John. “Your Song, What Does It Know?” Martínez Celaya. Early Work, Delray Beach: Whale & Star Press, 2006, 377-379.
Wendland, Johannes. Leipzig, Germany. Kunstzeitung, September 2006: 121.Leipzig lädt ins Schneebett. Die Welt, 14 July 2006.
Julke, Ralf. “Mitgefühl für Beethoven: Bildermuseum zeigt Martínez
Celaya’s Schneebett.” Leipzig-Internet Zeitung, 22 June 2006.
Dea, Cynthia. “A Spiritual ‘Peace’ of Mind.” Los Angeles Times, 15 June 2006.
Peters, Sue. “Review: Enrique Martínez Celaya.” Seattle Weekly, 12 April 2006.
Buckwater, Timothy. “Enrique Martínez Celaya at the Oakland Museum.” The Monthly, January 2006: 5.
Frank, Peter. “Review: Enrique Martínez Celaya.” LA Weekly, January 2006: 13-19.
Ollman, Leah. “Renaissance Man Looks to the Past.” Los Angeles Times, 9 December 2005.
González, Gaspar. “The Escape Artist.” Boca Raton Magazine, December 2005: 117-118, 256, 258.
Gavlak, Sarah. “Portrait of the Artist.” Ocean Drive, November 2005.
Mills, Michael. “Best Local Artist.” Palm Beach New Times, May 2005: 12-18.
Gilbert, James. “Enrique Martínez Celaya.” Flaunt, No. 54, 2004: 86-89.
Damian, Carol. “Enrique Martínez Celaya.” ArtNexus, Vol. 3, No. 53, 2004: 129-130.
Forck, Gerhard. “Schneebett: Eine Installation in der Philharmonie.” Berliner Philhamoniker Das Magazin, November/December 2004: 85.
Knott, Marie Luise. “Künstler dieser Ausgabe: E.M. Celaya.” Le Monde Diplomatique, November 2004.
Rakow, Mary. “Looking for a Context for Martínez Celaya’s Work.” works + conversations, No. 9, October 2004: 14-19.
Turner, Elisa. “The Prince of Darkness.” The Miami Herald, 7 March 2004: Section M 3, 5.
Schudel, Matt. “Layers of Meaning.” Sun-Sentinel, 7 March 2004: 14-15. Mills, Michael. “Black is Back.” Broward-Palm Beach New Times, 25-31
March 2004: 34.
Oksenhorn, Stewart. “Winter’s Child.” Aspen Times Weekly, February 2004: 21-22.
Martin, Victoria. “Enrique Martínez Celaya at Griffin Contemporary.” ArtWeek, Vol. 34, No. 10, 20 December 2003-January 2004. (cover)
Siedell, Daniel A. “The October Cycle, 2000-2002.” The October Cycle, 2000-2002, Seattle: Marquand Books, 2003, 12-29.
McEvilley, Thomas. “Martínez Celaya: No Horizon Line.” All the field is ours, Santa Monica: Griffin Contemporary, 2003, 5-10.
Wong-Sutch, Sabina. “The Art of Living.” The Peninsula, Vol. 1, No. 1, 2003: 34-40.
Genocchio, Benjamin. “An Ethereal World, Explored Breath by Breath.” The New York Times, 2003: 14WC.
Douglas, Sarah. “Enrique Martínez Celaya: All the Field is Ours.” The Art Newspaper, No. 140, 2003: 9.
Wolgamott, L. Kent. “Top 10 Art Shows of 2003.” Lincoln Journal Star, 28 December 2003.
Scott, Carolyn Patricia. “A Colorful New Martínez Celaya.” Los Angeles Times, 18 December 2003: E60.
Becker, Lisa Tamiris. “Enrique Martínez Celaya: Poetry in Process.” Colorado University Art Museum Bulletin, Fall 2003: 2, 5.
Ollman, Leah. “In a Silent Season.” Art in America, May 2003: 132-137.
Turner, Nancy Kay. “Enrique Martínez Celaya.” ArtScene, November 2002: 24, 25.
Ollman, Leah. “Primal Emotions Evoked in Black.” Los Angeles Times, 1 November 2002: E27.
Pagel, David. “Enrique Martínez Celaya.” Los Angeles Times, 19 April 2002.
Chattopadhyay, Collette. “Enrique Martínez Celaya, Orange County Museum of Art.
”ArtNexus, Vol. 2, No. 44, 2002: 117–118.
Merewether, Charles. “Departure Without Return.” Enrique Martínez Celaya:
1992-2000. (Cologne, Germany: Wienand), 2001: 31-47.
Solomon-Godeau, Abigail. “Restitutional Fragments.” Enrique Martínez
Celaya: 1992-2000, Cologne: Wienand, 2001, 51-73.
Ollman, Leah. “Insight Within Arm’s Reach.” Los Angeles Times, 26 November
2001: F2.
Heyward, Carl. “Review,” Art Papers, May/June 2001: 53.
Rosenberg, Jeremy. “The Evolution of Enrique.” Los Angeles Times, 6 March 2001: F-22.
Breidenbach, Tom. “Enrique Martínez Celaya.” ArtForum, February 2001: 155.
Frank, Peter, “Art Picks of the Week.” LA Weekly, 16-22 February 2001: 150.
Tompkins, Calvin. “Enrique Martínez Celaya.” The New Yorker, 11 December 2000: 26.
LaBerge, Stephen. “Exploring the World of Lucid Dreaming.” Ions, Noetic Sciences Review, September-November 2000, No. 53: 15. (photo).
Thornburg, Barbara. “Latin Quarters.” Los Angeles Times Magazine, 24 September 2000: 32-35.
Chattopadhyay, Collette. “Enrique Martínez Celaya at Griffin Contemporary.” Artweek, July/August 2000: 20-21.
Knight, Christopher. “Catching the ‘Next Wave’ of Painters.” Los Angeles Times, 20 June 2000.
Hernández, David. “De Poesía, Pintura y Escultura.” Diario de Monterey (México), 3 May 2000: 38.
Ollman, Leah. “Poetry in Pictures.” Los Angeles Times, 26 May 2000: F-21.
Wario, Bertha. “Encuentra en Pintura Respuesta a Preguntas.” El Norte (Monterrey, México), 26 April 2000.
Brodzky, Anne Trueblood. “Unbroken Poetry.” Unbroken Poetry: The Work of Enrique Martínez Celaya, Venice: Whale & Star Press, 1999, 9-41.
Browning, Walter. “Terminal Thoughts.” Hampstead and Highgate Express, 5 November 1999.
Brown, Neal. “Review.” The Independent (London) 24 October 1999. Geer, Suvan. “Review.” ArtNexus, No. 32. May-July 1999: 131-132.
Ollman, Leah. “Enrique Martínez Celaya at Griffin Contemporary Exhibitions.” Art in America, May 1999: 166.
Frank, Peter. “Enrique Martínez Celaya.” Enrique Martínez Celaya: Berlin, The Fragility of Nearness, Venice: William Griffin Editions, 1998, 33-37.
Collins, Tricia. Tablet, “The Work of Three Poets.” Zing Magazine, Winter 1998: 134-138.
Ollman, Leah. Los Angeles Times, 25 December 1998: F-40.
Isé, Claudine. “Visual Poetry.” Los Angeles Times, 30 October 1998: 30.
Hein, Von Helmut. “Atemwende oder Die Welt im Kopf.” Mittelbayerische (Regens-burg, Germany), 6 August 1998: 53.
Böckel, Claudia. “Er Will Bewegen: ‘No Entertaining!’” Mittelbayerische (Regensburg, Germany), 30 June 1998.
Perez Ruiz, Jose Antonio. ArtNexus, May 1998: 132-133.
Frank, Peter. “Review” ArtNews, February 1998: 123.
Damian, Carol. ArtNexus, January-March 1998: 132-133.
Windhausen, Rodolfo. “Arte Latinoamericano.” La Prensa (Miami), 23 November 1997.
Alvarez Bravo, Armando. “La Poesía, Modelo de la Plastica.” El Nuevo Herald, 2 November 1997: 5E.
Alvarez Lezama, Manuel. San Juan Star, 3 October 1997.
García Gutiérrez, Enrique. “El Artista en su Laberinto.” El Nuevo Día,
Revista Domingo, (San Juan, Puerto Rico), 21 September 1997: 10-13. Riley, Charles A. “The Power of Restraint.” Enrique Martínez Celaya, New
York: Tricia Collins, Grand Salon, 1996, 5-13.
Schoenkopf, Rebecca. “A Marriage in Blood.” OC Weekly, 9 August 1996: 25.
Pohl, Frances. “Mammas, Don’t Let Your Babies Grow Up to be Painters.” Lions of Frosting, Santa Monica: Dorothy Goldeen Gallery, 1995, 5-11.
Von Froemming, Paul. “Gifts of Love.” The Independent, 1 December 1995: 58. Jenkins, Steven. “An Open Heart.” Artweek, 17 November 1995.
Greene, David A. “Painting the Town.” Los Angeles Reader, Vol. 17, No. 51, 29 September 1995.
Darling, Michael. “An Unusually Rich Storehouse of Ideas.” Scene Magazine, 20 August 1993.
Alvarez Lezama, Manuel. “Exhibit Asks Viewers to Question Boundaries.” The San Juan Star, 7 April 1993: F11.
Burkhart, Dorothy. “An Artist Worth Being Excited About.” San Jose Mercury News, 18 March 1992: 7D.
Alegre Barrios, Mario. “Martinez Celaya Exhibe en Luigi Marronzzini.” El Nuevo Día, 2 September 1991.
Interviews, Essays and Statements by the Artist
“Thank You for the Not-Art.” Beyond Kandinsky Symposium, sponsored by the School of Visual Arts (SVA), New York, NY, February 2011.
“On Painting.” Sheldon Museum of Art in Lincoln, Nebraska as part of the University of Nebraska Visiting Presidential Professorship, 21 April 2009.
Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 240-247.
“The Prophet.” Originally presented at the Joslyn Art Museum in Omaha, Nebraska as part of the University of Nebraska Visiting Presidential Professorship,
2 October 2009. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press,
2010, 231-239.
O’Hanian, Hunter. “EMC2,” AspenPeak, Winter 2008/Spring 2009. Serisier, Gillian. “Painting Himself Out of the Picture.” Artist Profile,
Issue 4, August 2008: 61-63.
“Art and Museums.” Journal of Aesthetic Education, 41/2, Summer 2007: 17-21.
“Photography as Grief.” Originally presented at the Sheldon Museum of Art in Lincoln, Nebraska as part of the University of Nebraska Visiting Presidential
Professorship. An earlier version was presented at the Miami Art Museum, 8 December 2006. Published as “Photography as Grief (Fragments)” artUS, 24/25
(Fall-Winter 2008): 68-71. Also published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of
Nebraska Press, 2010, 141-146.
“Boy Raising His Arm.” Excerpt from a statement to curator Klaus Ottmann for the work, Boy Raising His Arm, for OPEN e v+a–a sense of place, March 30-
June 24 in Limerick, Ireland, 2007.
“A Personal Note on Art and Compassion.” works + conversations, No. 14, 10 April 2007: 24-25.
“Introductions to Projects.” Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006.
“Shaping Language.” How I Learned English, ed. Tom Miller. Washington D.C.: National Geographic Society, 2007, 111-114. Also published in Spanish.
Whittaker, Richard. “A Conversation with Enrique Martínez Celaya, Self & Beyond Self.” works + conversations, No. 9, October 2004: 2-13.
“Schneebett.” Translated into German and published in a booklet for the presentation of Schneebett (2004), at the Berliner Philharmonie, Berlin, Germany,
September 2004.
“Twelve Thoughts on the October Cycle.” Enrique Martínez Celaya: The October Cycle, 2000-2002. Seattle, Washington: Marquand Books in association
with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska in Lincoln, 2003, 81-83. Also published in Enrique Martínez Celaya: Poetry
in Process. Boulder: CU Art Museum, 2004, 78-85.
Wolgamott, L. Kent. Radio Interview with Enrique Martínez Celaya, 23 November 2003. Excerpts published in “A Premonition of Winter: Enrique Martínez
Celaya’s ‘The October Cycle’ is a contemplation of time, memory,” Lincoln Journal Star, 7 December 2003.
Hoffmann, Roald. “The Fuzzy Boundary: Science and Art,” Enrique Martínez Celaya: Poetry in Process. Boulder: CU Art Museum, 2003, 91-99.
Fox, Howard N. “Interview with Enrique Martínez Celaya,” Enrique Martínez Celaya 1992-2000. Cologne, Germany: Wienand, 2001, 77-83.
“Preface.” Selections from Charles Baudelaire, Les Fleurs du Mal, with the original etchings by Odilon Redon. Venice: Whale & Star Press, 2001, 7 December
2000: 1-2.
“Notes to Anne Trueblood Brodzky.” Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999, 21; 25; 32; 41.
Yariv, Amnon. “Compassion and Subjectivity (Conversation with Amnon Yariv and Enrique Martínez Celaya).” Unbroken Poetry: The Work of Enrique Martínez
Celaya, Venice: Whale & Star Press, 1999, 67-75.
Greenstein, M.A. “Why Hegel?” Enrique Martínez Celaya: Berlin, The Fragility of Nearness. Venice: William Griffin Editions, 1998, 73-80.
“A Manifesto.” Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, May 1994.
Miles, Christopher. “A Conversation with Enrique Martínez Celaya.” Artweek, December 1997: 15-17.
Books by the Artist
Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya.
Lincoln and London: University of Nebraska Press, 2010.
The Nebraska Lectures, 2007-2010. Lincoln and London: University of Nebraska Press, 2010.
The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009. Guide. Los Angeles: Whale & Star Press, 2002.
October. Amsterdam: Cinubia, 2001.
Berlin. Los Angeles: Stephen Cohen Gallery and William Griffin Editions, 1998.
Selected Books and Monographs
Enrique Martínez Celaya: Working Methods/Metodos de trabajo. Barcelona, Spain: Ediciones Poligrafa, 2013. Text by Mary Rakow and Matthew Biro.
Martínez Celaya: Selected Work/Obra Selecta, 1992-2010. Miami: Gary Nader Fine Art, 2010. Texts by Carol Damian and Lisa Tamiris Becker.
An Unfinished Conversation: Collecting Enrique Martínez Celaya. Boca Raton: Boca Raton Museum of Art, 2009. Texts by Martin Brest, Wendy Blazier,
Daniel A. Siedell.
Daybreak. Venice: LA Louver Gallery, 2009. Text by Enrique Martínez Celaya. The Lovely Season. Sydney: Liverpool Street Gallery, 2008. Text by
Enrique Martínez Celaya.
The Return of the Storks. Berlin: Akira Ikeda Gallery, 2008. Text by Lorie Karnath with illustrations by Enrique Martínez Celaya.
Nomad. Delray Beach: Miami Art Museum in collaboration with Whale & Star Press, 2007.
Another Show for the Leopard. Aspen: Baldwin Gallery, 2007.
Poetry and Process. Boulder: CU Art Museum, 2007. Text by Lisa Tamiris-Becker.
Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006. Text by Daniel A. Siedell, Thomas McEvilley, John Felstiner, Christian Williams and
Enrique Martínez Celaya.
The October Cycle. Seattle: Marquand Books; Published in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-
Lincoln, 2003. Text by Daniel A. Siedell and Enrique Martínez Celaya.
All the Field is Ours. Santa Monica: Griffin Contemporary, 2003. Text by Thomas McEvilley.
Enrique Martínez Celaya, 1992-2000. Cologne, Germany: Wienand Verlag, 2001. Texts in English and German by Charles Merewether, Abigail Solomon-
Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed and Colette Dartnall.
Amerika – Europa: Ein künstlerischer Dialog. Wuppertal, Germany: Von der Heydt-Museum, 2001. Texts by Sabine Fehlemann, Peter Frank, Pontus Hulten,
Dieter Rosenkranz, Klaus Weber, Wulf Herzogenra, Marlene Baum and Charles Merewether.
Pinturas de Merced. Monterrey, Mexico and New York: Galería Ramis Barquet, 2000. Text by Charles Merewether.
Enrique Martínez Celaya: Works on Paper and Poems. San Juan, Puerto Rico: Luigi Marrozzini Gallery and Santa Monica: Griffin Contemporary, 1998.
The Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, 1994.
Selected Publications of Whale & Star Press
(Founded by Martínez Celaya in 1998)
Cowboy Junkies: Nomad. Miami: Whale & Star Press, 2012.
Intimations, Selected Poems by Anna Akhmatova. Delray Beach: Whale &
Star Press, 2009.
The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009. Modernist Archaist. Delray Beach: Whale & Star Press, 2008.
Nomad. Delray Beach: Whale & Star Press in collaboration with Miami Art Museum, 2007.
The Conversations. Delray Beach: Whale & Star Press, 2007.
Cowboy Junkies XX. Delray Beach: Whale & Star Press, 2006.
Martínez Celaya. Early Work. Delray Beach: Whale & Star Press, 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya
and John Felstiner, 2006.
Guide. Los Angeles: Whale & Star Press, 2002. Published in collaboration with Griffin Editions and Mark Hasencamp. Text and Photographs by Enrique
Martínez Celaya. Volume I (the text) 140 pages. Volume II (a suite of 10 original black and white photographs). Edition of 60.
Sketches of Landscapes. Los Angeles: Whale & Star Press, 2002. Edited with commentaries by Enrique Martínez Celaya.
Selections from Les Fleurs du Mal. Venice: Whale & Star Press, 2001. Joseph Beuys, Multiples and Other Forms of Politics. Venice: Whale & Star
Press, 2001. Text by Beatrice Foessel and Johannes Stuettgen.
Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999. Text by Anne Trueblood Brodzky.
SELECTED LECTURES
Santa Fe University of Art and Design, “The Pearl and the Total Work of Art.” Sponsored by SITE Santa Fe in conjunction with the exhibition, The Pearl, 1 October 2013, Santa Fe, New Mexico.
University of Michigan, “The Tower of Snow: A Story of Process.” Sponsored by the UM Department of Art and Art History, 29 March 2013, Ann Arbor,
Michigan.
New York Studio School. Lecture presented in conjunction with the Featured Artist Lecture Series, 6 March 2011, New York, New York.
University of California Santa Barbara, “On Worth.” Sponsored by the UCSB Department of Art, 19 April 2011, Santa Barbara, California. A later version was
presented at the Anderson Ranch Arts Center as part of the Featured Artists Lecture Series, 23 June 2011, Aspen, Colorado.
Phillip and Patricia Frost Art Museum. Lecture presented as part of Art Basel’s Official Annual Event, “Breakfast in the Park”, 5 December 2010, Miami, Florida.
School of the Art Institute of Chicago. Lecture cosponsored by the Department of Art History and the Department of Painting and Drawing, 29 October 2010,
Chicago, Illinois. An earlier version was presented at the Museum of Biblical Art in New York in conjunction with the exhibition The Wanderer: Foreign
Landscapes of Enrique Martínez Celaya, 4 November 2010.
Sheldon Museum of Art, “On Painting.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University
of Nebraska, 21 April 2009, Lincoln, Nebraska. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London:
University of Nebraska Press, 2010, 240-247.
Joslyn Art Museum, “The Prophet.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of
Nebraska, 2 October 2009, Omaha, Nebraska. Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London:
University of Nebraska Press, 2010, 231-239.
University of Nebraska-Omaha, “Art & the University.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at
the University of Nebraska, 7 April 2009, Omaha, Nebraska.
Kaneko, “Systems, Time and Daybreak.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University
of Nebraska, 7 October 2008, Omaha, Nebraska.
Sheldon Museum of Art, “Art and Museums.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the
University of Nebraska, 15 April 2008, Lincoln, Nebraska. Originally published as “The Parting of the Exemplary Museum,” works + conversations, 15
November, 2007: 34-35, 45; and as “Now What?” Journal of Aesthetic Education, Vol. 41 No. 2, Summer 2007: 17-21.
Sheldon Museum of Art, “Photography as Grief.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the
University of Nebraska, Lincoln, Nebraska. An earlier version was presented at the Miami Art Museum, 8 December 2006, Miami, Florida. Published as
“Photography as Grief (Fragments)” artUS, 24/25 (Fall/ Winter 2008): 68-71. Also published in Collected Writings and Interviews, 1990-2010: Enrique
Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 141-146.
UCLA Fowler Museum of Cultural History, “Art and Compassion.” Lecture presented in conjunction with the traveling exhibition The Missing Peace: Artists
Consider the Dalai Lama, 2006. Published as “A Personal Note on Art and Compassion,” works + conversations, No. 14 (May 2007), 10 April 2007: 24-25.
Education Summit, Hope Center, “Idea Generation: Currency for the Knowledge Economy The Fuzzy Boundary: Science and Art.” 14 November 2005,
Richmond, Virginia.
American Academy in Berlin, Berliner Philharmonie. Lecture co-sponsored by the Stiftung Berliner Philharmoniker, the Forum Zukunft Berlin, and the
American Academy in Berlin, 19 October 2004, Berlin, Germany.
Aspen Institute, “Poetry and Process.” Lecture presented in conjunction with the exhibition Poetry in Process at the CU Art Museum, Boulder, Colorado,
2004, Aspen, Colorado.
New York University, “New Work.” 2002, New York, New York.
University of Hawaii at Manoa, Artist Lecture. Lecture given in conjunction with Martínez Celaya’s appointment Distinguished Visiting Artist, September
200, Honolulu, Hawaii.
Orange County Museum of Art, 4 December 2001, Newport Beach, California. An earlier version was presented at the University of Hawaii at Manoa,
Honolulu, Hawaii, 4 September 2001. Both lectures were given on the occasion of the traveling exhibition, Enrique Martínez Celaya: 1992-2000.